Clichés of femininity
Clichés offemininity CHAPTER 2
Clichés of femininity
Clichés offemininity CHAPTER 2
1
Women and work
Figurine of a cook,
6th century BCE, discovered at Tanagra, terracotta, 9 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Hervé Lewandowski

 

Women twiddling their thumbs at home? The idea doesn’t seem absurd. In many societies women were placed under the protection of their husbands. It was therefore the husband who would work outside the home to feed the family.

 

In art, women are often depicted partaking in indoor activities.

 

But it is a clichéd view to infer that women didn’t work. 

 

  • Domestic activities are certainly work, even if they are unpaid.

 

  • There have always been female shopkeepers, teachers, farmers and so on. As they’re not often depicted in art, we tend to forget about them!
Large trough carrier,
between 2000 and 1800 BCE, paint and stucco on wood, 108 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Hervé Lewandowski
The Limbourg brothers, The Very Rich Hours of the Duke of Berry, the month of June,
illumination on parchment, 22 x 14 cm, Condé Museum, Chantilly. Photo © RMN-Grand Palais (Chantilly estate)/René-Gabriel Ojeda
Louise Moillon, The Fruit and Vegetable Seller,
1630, oil on canvas, 120 x 163 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Mathieu Rabeau
Jean Siméon Chardin, The Provider,
1739, oil on canvas, 47 x 38 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/René-Gabriel Ojeda
In a nutshell

Despite the lack of representations, women have always worked, whether inside or outside the home.

2
Women and power
Unfortunately, there are many misconceptions about the history of women.

For instance, you would be wrong to think that there were no women in power before the 20th century. Female leaders can be found in the highest positions of responsibility everywhere and in every period of history! How about a brief overview?

The princess of Lagash,
circa 2120 BCE, discovered at Tello, 17 cm, Louvre Museum, Paris. Photo © Louvre Museum, Dist. RMN-Grand Palais/Thierry Ollivier
The divine adoratrice Karomama,
between 945 and 715 BCE, bronze, 59 cm, Louvre Museum, Paris. Photo © Louvre Museum, Dist. RMN-Grand Palais/Christian Décamps
Ariadne’s head,
6th century, marble, 26 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Tony Querrec
Frans Pourbus the Younger, Portrait of Marie de’ Medici, Queen of France,
1600–1625, oil on canvas, 307 x 186 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Michel Urtado
  • (1) At Sumer (present-day Iraq), the princess of Lagash, who lived 4000 years ago, left us her portrait.

 

  • (2) In Egypt, princess Karomama, from the 9th century BCE, was a high priestess. She was therefore considered a queen and had her own palace!

 

  • (3) In Byzantium (present-day Istanbul), Ariadne was a 5th-century empress. Everyone listened to her opinions!

 

  • (4) In France, Queen Marie de’ Medici ruled in place of her son, who was still too young, in the 17th century.

 

All of these powerful women have inspired numerous works of art, including music and films!

 

Here’s one of our favourite examples: Cleopatra! 

 

 

Here’s an excerpt from Cleopatra (1963), directed by Joseph L. Mankiewicz.

In a nutshell

Many princesses and queens have held the reins of government — while some have been forgotten, others have inspired popular culture.

3
Focus on a woman of power
Bust of Queen Sobekneferu,
between 1789 and 1786 BCE, sandstone, 48 cm, Louvre Museum, Paris. Photo © Louvre Museum, Dist. RMN-Grand Palais/Georges Poncet

Cleopatra wasn’t the only woman to reign over Egypt! The first female pharaoh was Neferusobek.

 

Her statue has suffered the ravages of time but there are clues about how the pharaoh chose to be represented. She wears:
 

  • (1) The straps of a feminine dress

 

  • (2) A masculine loincloth

 

  • (3) A belt buckle bearing the name she chose for herself, “Neferusobek”. This comes from the powerful and ferocious crocodile god, Sobek.

 

  • (4) A nemes, the distinctive headdress worn by pharaohs.

 

By adopting insignia previously reserved for men, Neferusobek sought to show that she was their equal.

In a nutshell

The first female pharaoh, Neferusobek, combined masculine and feminine clothing and insignia to give legitimacy to her power.

4
The Virago Archetype
So what of women who affirm their power?

There were those who didn’t always seek to please others in the past…

 

And there’s a demeaning term to refer to them: “virago” (from the Latin “vir”, meaning man). A virago is a woman who has qualities that society has typically considered masculine, such as strength and courage.

 

 

Dish with a lady firing a bow at a young man,
circa 1450, earthenware, 40 cm, Louvre Museum, Paris. Photo (C) RMN-Grand Palais (Louvre Museum)/Jean-Gilles Berizzi
The Edinburgh Painter, Amphora with black figures, Heracles with the Amazons,
early 5th century, ceramic, 23 x 15 cm, Louvre Museum, Paris. Photo (C) RMN-Grand Palais (Louvre Museum)/Stéphane Maréchalle
The Sotades Painter, Fragment of ryhton representing an Amazonomachy,
between 460 and 450 BCE, ceramic, 5 x 11 cm, Louvre Museum, Paris. Photo: Photo (C) RMN-Grand Palais (Louvre Museum)/Hervé Lewandowski
Campana plaque (detail),
between 50 BCE and 50, made in Italy, clay, 32 cm, Louvre Museum, Paris. Photo: (C) 2009 Louvre Museum/Anne Chauvet

 

In Greek mythology, for example, the Amazons carry weapons and fight! But these women warriors were looked down upon for their combative qualities. In works by ancient authors, they symbolise chaos. Their death, therefore, restores order and harmony…

 

There is a long way to go before women are free of historical stereotypes, but as for the Amazons, they’ve become heroines of the big screen!

 

Wonder Woman (clip), 2017, directed by Patty Jenkins

 

In a nutshell

Characteristics deemed ‘masculine’ or ‘feminine’ have been socially constructed. Despite gender stereotypes, women have always shown strength and courage throughout history.

5
Grooming and make-up
Fayum mummy portrait,
250, discovered at Thebes, encaustic on wood, 33 cm, Louvre Museum, Paris. © 2007 Louvre Museum/Georges Poncet
Fayum mummy portrait,
circa 150–200, discovered at Thebes, encaustic on wood, 33 cm, Louvre Museum, Paris. © 2007 Louvre Museum/Georges Poncet
Statuette of a bearded figure,
circa 1700 BCE, bronze, 28 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Mathieu Rabeau

When it comes to appearances, norms (rules of society) evolve according to periods and cultures.

 

Styles that were once considered “masculine” or “feminine” can be inverted and evolve over periods of time and from culture to culture.


Take a look at these images! You’ll notice that both the man and woman are wearing make-up and have groomed eyebrows.  The male statue has long hair.

Indeed, grooming and make-up aren’t just for women.

 

In the Arab world, men in the 16th century used vegetable gums to remove hair. Whereas, in the West, hair was a sign of strength and virility, so hair removal was reserved for women!

 

 

Discover here some toiletry items from the Mediterranean region, which could be used by both women and men.

Mirror with handle from the Boscoreale Treasure representing Leda and the Swan,
between 25 BCE and 50, silver, 29 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Hervé Lewandowski
Flat-rimmed kohl pot with stick,
between 2033 and 1540 BCE, discovered in Sudan, wood, 4.5 cm (height of the pot), 9 cm (length of the stick), Lille Palace of Fine Arts. Photo (C) RMN-Grand Palais (PFA, Lille)/Stéphane Maréchalle
Make-up box in the shape of a duck,
between 1550 and 1150 BCE, discovered in Egypt, ivory, 13 cm, Louvre Museum, Paris. Photo © RMN-Grand Palais (Louvre Museum)/Mathieu Rabeau
Make-up spoon with swimmer,
between 1390 and 1352 BCE, wood, 30 cm, Louvre Museum, Paris. Photo © Louvre Museum, Dist. RMN-Grand Palais/Christian Décamps
In a nutshell

Gender norms vary across cultures and evolve over time. Grooming and make-up were never exclusive to women.

6
Jewellery and clothing
We must avoid looking at the past through a present-day perspective

Works of art are proof that our societies change

 

So it’s not unusual to see a man adorned with jewellery or a woman wearing trousers on the wall of a museum.

 

Clichés, however, die hard and can lead to major mistakes.

 

If an archaeologist finds jewellery in a tomb, for example, should they infer that it is a woman’s tomb? As we’ve just seen, it isn’t as straightforward as that!

Cup with a musician and dancer from Kütahya,
18th century, ceramic, 14 cm, Louvre Museum, Paris. Photo © Louvre Museum, Dist. RMN-Grand Palais/Claire Tabbagh
Portrait of Ammonios,
circa 225–250, discovered at Antinoë, encaustic on fabric, 60 cm, Louvre Museum, Paris. © 1998 Louvre Museum/Georges Poncet
In a nutshell

To write history, the evolution of norms around femininity must be taken into account.

In summary, you have discovered:

  • Women and work
  • Women and power
  • Focus on a woman of power
  • The Virago Archetype
  • Grooming and make-up
  • Jewellery and clothing
To train

What is this medieval Virgin Mary doing?

You have to choose an answer

The pharaoh Neferusobek is represented with clothes and insignia that are…

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This object was used by men and women to…

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You have unlocked the next chapter in your course Women in Art in the Mediterranean.

CHAPTER 3

Women, (in)visible?

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