The 18th Century
The 18th Century CHAPTER 4
The 18th Century
The 18th Century CHAPTER 4
1
Rococo
François Boucher, Le Déjeuner (The Lunch),
1739, oil on canvas, 32 x 26 inches, Louvre Museum, Paris. Photo: © RMN-Grand Palais (musée du Louvre) / Franck Raux

Society changed during the 18th century. From then on, the aristocracy dropped the idea of castles with grandiose decorations and badly heated rooms. They looked for more comfort, privacy and a lighter atmosphere.

 

Works of art echoed this:

 

  • In the subjects. Paintings depicting leisure scenes were highly successful, as were those of Watteau.
  • In the form. “Rocaille” (or “rococo”) art, with its baroque legacy, emerged triumphant! This artistic movement sent rules and symmetric decoration packing, preferring curves and  dense decorations.

This family has been caught by surprise in an enjoyable close family moment, drinking chocolate or coffee.

This scene takes place in a small but refined interior, with some exotic objects from Asia.

The curves of the furniture are 100% rococo.

In a nutshell

During the 18th century, the taste of the public changed, giving way to leisure scenes and “rococo” style.

2
Pastel

At the beginning of the 18th  century, a great many aristocrats were queuing up in front of a house in Paris. What for? To meet the famous artist Rosalba Carriera to ask her to paint their portrait.

 

Carriera drew crowds because of her pastel creations renowned across Europe. These little coloured sticks were greatly appreciated. Not only did they imitate textures (like dress satin), but their powdery appearance was charmingly attractive.

 

The technique existed before Carriera but it was during her time that it acquired its reputation, to such an extent that this was not a “flash-in-the-pan”.

A recipe for a stick of pastel paint
Rosalba Carriera, Self portrait with a portrait of her sister,
1709 – 1715, pastel on paper, 30 x 22 inches, Uffizi Gallery, Florence Rosalba Carriera launched the use of pastels in Europe.

Rosalba Carriera launched the use of pastels in Europe.

Jean-Baptiste-Siméon Chardin, Self Portrait with Spectacles,
1771, pastel, 18 x 15 inches, Louvre Museum, Paris

Jean-Baptiste-Siméon Chardin began working with pastels at the end of his career, to protect his eyes, damaged through exposure to the harmful ingredients of paint.

Maurice Quentin de La Tour, Self portrait,
around 1750, pastel on paper, 25 x 21 inches, Picardy Museum, Amiens

Maurice-Quentin de La Tour is nicknamed the “prince of pastel painters”.

Jean-Étienne Liotard, Self Portrait,
1773, pastel on canvas, 25 x 20.5 inches, History of Art Museum, Geneva
Jean-Étienne Liotard worked and travelled in the Middle-East.
In a nutshell

Pastel works like those of Rosalba Carriera were very successful during the 18th century.

3
The birth of the art market
Nicolas Langlois, Exhibition of paintings and sculpture in the Grand Gallery of the Louvre at the 1699 Salon

Artists now had regular exhibitions to help them acquire a reputation. They provided the opportunity of revealing their latest creations and finding clients.

 

In their wake were born…
 

  • Art critics. Beware the sharp pen of these art enthusiasts who roamed from exhibition to exhibition!
  • The art market, with its galleries and professional merchants. The ancient model of an artist who only worked for his or her rich patron soon became a thing of the past. Works of art  were sold and resold in their own art shops.

 

It should be noted that it was during this period that the first auctioneers began to operate. They still exist today!

Sotheby’s, London
1744. Photo: Dirk Ingo Franke, CC BY-SA 3.0
Christie’s,
Geneva. Photo: ines s, CC BY-SA 2.0
In a nutshell

The 18th century saw the birth of the art market with its galleries, critics and auctioneers.

4
The royal workshops

Artists now started leaning towards the decorative arts. Boucher, the painter, for example, provided models for the creation of tapestries or porcelain works.

 

In France, these luxury objects were made in royal workshops. These “enterprises”, founded during the previous century, obtained strong support from the monarchy. This was a successful business undertaking between their subsidies and the talented artists at their service.

 

In tapestry, painters provided the “cartoons”. These paintings were then copied on the same scale by the “weaver” (the tapestry artist).

Factory in Les Gobelins by Charles le Brun, Visit of Louis XIV to the Les Gobelins Factory,
1673 – 1680, 16’5” x 23’, Palace of Versailles and The Trianon. Photo: © RMN-Grand Palais (Château de Versailles) / Christian Jean / Jean Schormans
The Sèvres Factory, Vase with zig-zag ornament, rectified, and pair of Etruscan Vases known as “Etruscan vases with cartel”,
1765 – 1770, soft-paste porcelain with blue background, Louvre Museum, Paris. Photo: © Musée du Louvre, Dist. RMN-Grand Palais / Martine Beck-Coppola
Beauvais Porcelain Factory, The Taking of Doesbourg,
18th century, tapestry, 15’ x 11’6” , Palace of Versailles and The Trianon. Photo: © Château de Versailles, Dist. RMN-Grand Palais / Jean-Marc Manaï
  1. Throughout the weaving of the tapestry, a watchful eye is kept on the “carton” (the model).
  2. The weaver follows guide points on the weft stretched on the loom.
  3. Weaving starts! It is always done on the reverse side of the tapestry.
High Wrap Tapestry, Gobelins Factory, via the Mobilier National (National Furniture) chain, Dailymotion
High Wrap Tapestry, Gobelins Factory, via the Mobilier National (National Furniture) chain, Dailymotion
High Wrap Tapestry, Gobelins Factory, via the Mobilier National (National Furniture) chain, Dailymotion
In a nutshell

Artists provided models for the decorative arts created in the royal workshops.

5
The Enlightenment
Jean Huber, A Dinner of Philosophers,
1772, oil on canvas, Voltaire Foundation, Oxford

When it comes to ideas, the 18th century was bubbling with them.

 

A new cultural school of thought brought together thinkers throughout Europe, even influencing America – the  “Enlightenment”.

These thinkers defended principles such as:

 

  • The supremacy of reason over superstition and prejudice
  • Sharing knowledge and education
  • Faith in the progress of humanity towards a happy future

 

They were supported by important personalities, down to the French king’s favourite, or at least that is what Madame de Pompadour declared loud and clear in her portrait.

 

The Marquess owned a great many books, kept in her library, including those of thinkers Montesquieu, Voltaire and the Encyclopedia by Diderot and d’Alembert.

Quentin de La Tour, Portrait of the Marquess of Pompadour,
around 1755, pastel on paper, 69 x 50 inches, Louvre Museum, Paris. Photo: © Musée du Louvre, Dist. RMN-Grand Palais / Laurent Chastel
Quentin de La Tour, Portrait of the Marquess of Pompadour,
around 1755, pastel on paper, 69 x 50 inches, Louvre Museum, Paris. Photo: © Musée du Louvre, Dist. RMN-Grand Palais / Laurent Chastel
In a nutshell

Enlightenment thinkers defended education and the supremacy of reason and believed in the progress of humanity.

6
The appearance of museums

The 18th century was also the time when an institution that would enjoy great success appeared: the museum.

 

It’s clear that rich collectors with vast collections were not a recent phenomenon, but from now onwards, some of them, even the kings, decided to open these private studios to the public!

 

Why did they do this?

 

  • To provide models for artists. This was a way for them to observe and draw inspiration from past works.
  • To educate the public. This was directly in line with the Enlightenment’s emphasis on access to knowledge.
1685 : Ashmolean Museum, London
Photo : Lewis Clarke / Oxford : Ashmolean Museum, CC BY-SA 2.0
1759 : British Museum, London
Photo : Ham, CC BY-SA 3.0
1830 : Gemäldegalerie Alte Meister, Dresden
Photo : TMbux, CC BY-SA 3.0
1793 : Louvre Museum, Paris
Photo : Jean-Pierre Dalbéra, CC BY 2.0
1765 : Galleria degli Uffizi, Florence
Photo : Michelle Maria, CC BY 3.0
1770 : Pio-Clementino Museum, Rome
Photo : Jean-Pol GRANDMONT, CC BY-SA 3.0
In a nutshell

Museums, which appeared during the 18th century, were an inspiration for artists and were a means of educating the public in their viewing of art.

7
The main of rococo artists

There were a considerable number of prominent rococo artists at the beginning of the 18th century. Discover the names of some of them:

 

  • Churriguera in Spain
  • Asam in Germany
  • Falconet and Collot in Russia
  • Fragonard in France
  • Canaletto in Italy
  • Hogarth in England

 

After 1760, the world was on the point of changing once again. England was becoming more important, whilst real artistic and political revolutions were taking place, but that’s another story!

José Benito de Churriguera, The Altarpiece,
1692, San Esteban Convent, Salamanca. Photo: José Luis Filpo Cabana, CC BY 4.0
Egid Quirin Asam, The Assumption,
1722 – 1723, Rohr Abbey Church. Photo: Piflaser, CC BY-SA 3.0
Étienne Maurice Falconet, Equestrian statue of Peter Ist,
1768, bronze, 34’1” (height), Saint Petersburg. Photo: Alex Florstein Fedorov, CC BY-SA 4.0
Fragonard, The Swing,
1767 – 1768, oil on canvas, 32 x 25 inches, Wallace Collection, London
Canaletto, St Mark’s Square,
around 1730, oil on canvas, 30 x 47 inches, Fogg Art Museum, Cambridge
Hogarth, The Graham Children,
1742, oil on canvas, 63 x 71 inches, National Gallery, London
In a nutshell

Rococo artists met with great success throughout Europe right up until the 1760s.

In summary, you have discovered:

  • Rococo
  • Pastel
  • The birth of the art market
  • The royal workshops
  • The Enlightenment
  • The appearance of museums
  • The main of rococo artists
To train

What did the artist Rosalba Carriera make fashionable in Europe?

You have to choose an answer

Which royai factory manufactures porcelain?

You have to choose an answer

Which rococo artist painted St Mark’s square around 1730?

You have to choose an answer

You have opened the final quiz on Renaissance and Enlightenment, on your way to your Art Explora certificate.

Final Quiz

It’s your turn now!

Answer these 12 questions to check your knowledge. You need to get 10 correct answers to receive your badge.

But there’s no need to panic: if you fail, you can always try again later.

take the quiz