7
Calligraphy
« Science started with a bitter taste, but in the end it is sweeter than honey. To your very good health. »
Dish with epigraphic decoration,
10th – 11th centuries, clay pottery, 15 x 2 inches Louvre Museum, Paris. Photo: Louvre Museum, Dist. RMN-Grand Palais / Hughes Dubois

Mohammed received the divine word in Arabic. Therefore, Muslims consider this language to be sacred, including the way it is written! That is why calligraphy (the art of good writing) occupies such an important place in works of art.

 

In the 13th century, a calligraphy artist, Yaqut, developed different styles of writing that are still used today. 

 

 

They are classified into two broad categories: Kufic and cursive. They are everywhere in Islamic writings. Do you know how to recognise them?

Comparer
Surah 30, The Blue Quran, between the 9th and 10th centuries, vellum parchment tinted with indigo and madder, gilt and silver, Metropolitan Museum of Art, New York. Photo: Marie-Lan Nguyen, CC BY 2.5

Kufic writing: The lines are very straight, sometimes almost geometrical.

Cursive eastern calligraphy on clay, Médersa Bou ‘Inania, between 1350 and 1355, Fez

Cursive writing: The letters are not as big and the lines are suppler.

In a nutshell

Both Kufic and Cursive writing are considered important in Islamic writings.

6
The Dome of the Rock
Why is the Dome of the Rock known by this name?

Simply because the purpose of this place of worship is … to protect a rock! This is not just any old rock, however: it’s the one from which Mohammed is said to have flown up into the heavens to meet Allah.

Dome of the Rock,
685, Jerusalem. Photo: Ludvig14, CC BY-SA 4.0
Carl Haag, The Foundation Stone in the Dome,
1891, water colour on paper, private collection. Photo: © Christie’s Images / Bridgeman Images

And that’s not everything. The city of Jerusalem is also a holy place for Christians and Jews.

When Abd al-Malik built this monument on a high place he was demonstrating to the different sections of the local population that he was the boss!

In a nutshell

Building the Dome of the Rock on a sacred site in Jerusalem was a way for Abd al-Malik to demonstrate his power.

5
Caliph Abd al-Malik (685-705)
Piece dating from the reign of Abd al-Malik,
696 – 697, Umayyad dynasty, gold, 0,07 inches (diameter) British Museum, London. Photo: © The Trustees of the British Museum
In a nutshell

The Umayyad Caliph Abd al-Malik was both a warrior and a great builder.

4
The architectural elements of a mosque

Now let’s take a look at what it looks like on real buildings.

 

 

Minaret of the Grand Mosque of Samarra,
847 – 852, Iraq. Photo: J. Merena, CC BY 3.0
Mihrab in the mosque of the Umayyad,
built 706 – 715 and restored during the 15th century, Damascus, Syria. Photo: Bernard Gagnon, CC BY-SA 3.0
Prayer room in the grand mosque of Kairouan,
Tunisia. Photo: Jerzystrzelecki, CC BY 3.0
Minbar of the mosque of the Umayyad,
built between 706 and 715 and restored during the 15th century, Damascus, Syria. Photo: Bernard Gagnon, CC BY-SA 3.0
In a nutshell

Minaret, mihrab, minbar and prayer room… These features are found in many mosques.

3
The Great Mosque of Damascus

After this quick overview of secular art, let’s take a look at sacred art, meaning art in the mosques. To see one of the oldest, we need to head towards Damascus in Syria, with its grand mosque, built by the Umayyad dynasty in the eighth century. 

 

This mosque is the first building designed to enable followers to pray towards Mecca. It is not surprising that the following ones are inspired by it! The same elements are often found, adapted according to the region and the time.

View of the courtyard of the Grand Mosque of the Umayyad,
built 706 – 715, Damascus. Photo: Lofo7, CC BY-SA 3.0

Minaret: A tower used to call the faithful to pray

 

Mihrab: A niche in the “Qibla” wall. Both of them face towards Mecca.

 

Prayer Room: A room in which the faithful pray, facing Mecca.

 

Minbar: A pulpit for preachers, below which the Imam stands to preach his sermon. Symbolically, the place at the top is reserved for Mohammed.

In a nutshell

Mosques, which are places of prayer for Muslims, have all been built on the model of the one in Damascus.

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Sacred and secular works

The birth of the Muslim religion saw that of Islamic Arts alongside it. Watch out! Although they developed in regions where it was generally the dominant religion, the expression “arts of Islam” does not necessarily describe sacred objects. In these cases, we describe them as “secular”. Here are just a few examples.

 

 

Of course, many palaces were also part of the Islamic arts, even though they had no religious role.

Two Dancers with Wine Vases,
9th century, fresco, Harem of the Palace of Jawsaq al-Khaqani, Samarra. Photo: BPK, Berlin, Dist. RMN-Grand Palais / image BPK
Ardabil Carpet,
1539-1540, Iran, Victoria and Albert Museum, London
Bottle of Tuguz Timur,
mid 14th century, Mamluk period, glass with enamelled and gilded decoration 20 x 9.6 inches, Louvre Museum, Paris. Photo: Louvre Museum, Dist. RMN-Grand Palais / Hughes Dubois
In a nutshell

The expression “arts of Islam” describes various works that are not necessarily sacred.

1
Hegira
Map of modern countries

After meeting Allah, Mohammed returned to Mecca, where he gradually gathered together a community, founding a new religion, Islam. However this was not to everyone’s liking. 

 

 

So much so that the prophet was expelled from the city in the end! So, in 622, he left for Yathrib (now Medina), where he created the first Islamic State.

622: a very important date! On this date, the Hegira took place. This term, originating from the Arab word hidjra (migration), refers to Mohammed’s exile. 

 

The Hegira marked the beginning of the Muslim era. Although this date is the year 622 in the Christian calendar, the event was chosen as year zero in the Muslim calendar.

Mohammed’s journey
Majma al Tawarikh, Hegira, 1425, Metropolitan Museum, New York. Photo: CC0 1.0
In a nutshell

The Hegira, which took place in 622, was the founding event of the Muslim religion.

In summary, you have discovered:

  • The Middle Kingdom
  • The New Kindgom
  • The Pharaoh’s accessories
  • Hatchepsout, the Pharaoh queen
  • Akhenaton and Nefertiti
  • The Bas relief
  • Cleopatra
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7
Cleopatra

All good things come to an end, even the Egypt of the Pharaohs! After invading the Persian Empire (as in Mesopotamia), then the Greeks, General Ptolemy took over leadership of the country. He founded the “Ptolemaic” dynasty of which the last queen was none other than Cleopatra.

 

The “Queen of queens” fought tooth and nail to protect her country’s independence from Rome, but the Battle of Actium (in 31 BC) proved fatal. From then on, Egypt belonged to Rome!

Head of Cleopatra VII,
around 50 BC, marble and gilding, 11 x 6 x 8.5 inches, Antikensammlung, Berlin
In a nutshell

Cleopatra, who was from the Ptolemaic dynasty; tried to defend Egypt’s independence but Rome got the upper hand in 31 BC.

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The Bas relief
After the upheavals brought about by Akhenaton, things got back to normal.

Artistic traditions were re-established. If we take a closer look, we discover that two techniques existed for decorating Egyptian monuments that even Akhenaton had used: 

Bas-relief of Horus
around 180 BC, Sacrifice Room, Temple of Sobek an Haroëris, Kom Ombo, Egypt. Photo: Rémih, CC BY-SA 3.0

Bas-relief :

 

The wall is hollowed out around the design to give it relief

Location: usually inside monuments

Temple of Horus,
around 237-57 BC, Edfou, Egypt. Photo: Olaf Tausch, CC BY 3.0

Reverse bas-relief :

 

The reverse is true here. The design is carved into the wall.

Location: usually the external surfaces of monuments

In a nutshell

Egyptian monuments are decorated using two types of bas-relief techniques (relief or sunken relief).