Although the exhibition and the auction show no profit, several impressionist paintings (mainly landscapes) find takers in 1874 at more or less reasonable prices.
At the exhibition, three of the four landscape paintings are purchased for 1,000 francs each. A few audacious collectors take out their wallets, including the businessman Ernest Hoschedé, who acquires Monet’s soon to be famous Impression, Sunrise.
At the auction in 1875, canvases go for no more than a hundred or so francs. It’s Berthe Morisot who turns up trumps with her work Interior, sold for 480 francs!
In comparison:
Several impressionist paintings, mostly landscapes, find takers in 1874 at more or less reasonable prices.
To start with, let’s go back to 1874 and the first impressionist exhibition. As we said, the artists are seeking to free themselves from Paris’ official Salon, which has sometimes arbitrarily refused to present their works.
But this year is also marked by an economic crisis: many collectors put their purchases on hold. That’s what encourages the future impressionists to take the plunge: they’re hoping to sell their works without a dealer or the Salon as intermediaries.
Unfortunately, their first commercial operation is a failure. Customers don’t fall over each other and the event’s financial performance is disastrous. This work by Berthe Morisot is one of the few to be sold in 1874!
So the following year, several artists decide to hold an auction in the hope of making a little money. But they don’t do any better: their canvases go for low prices…
The 1874 exhibition and the auction that follow it are both failed commercial operations.
In 2019, this canvas by Monet made headline news: it was sold for 110 million dollars. A record for an impressionist canvas! But relations between impressionism and art market aren’t all that recent.
In order to understand, let’s go back a bit in time. Works can be sold by art dealers and at auctions. It’s what’s known as the art market. It develops in the 16th century, in parallel with commissions placed by rich and powerful individuals and religious institutions.
In the 19th century, when modern painting begins to emerge, the art market is at its height! And as we’re going to see, their respective evolutions are closely connected.
So how much did an impressionist painting cost at the time? Who were the patrons and art dealers involved with these artists ahead of their time? How did Monet get rich? We’ll be unpacking all that in this episode!
The art market is particularly developed in the late 19th century, at the same time as such modern movements as impressionism are emerging.
With global warming, works from this era provide invaluable insight into the landscapes of bygone days and the way that climatic conditions have evolved. You can study the shifts between the landscapes depicted on these canvases, present-day landscapes and… those still to come. Here are two examples.
Norman apple trees are doomed to disappear: by 2072, there will no longer be enough cold days for them to survive. The region will have to switch to plum trees and peach trees.
Snowy landscapes like this one have become increasingly less frequent with our mild winters Up until recently there were 30 days of frost in Honfleur… as against the 8 days forecast by 2100.
Impressionist paintings may well become witnesses of landscapes that have disappeared due to climate change.
An episode produced under the academic supervision of Alexis Metzger and adapted from his lecture“The Impressionist Adventure · The seasons”.
Let’s get away from the cold and take ourselves off to the south of France! In the late 19th century, the name “Côte d’Azur” makes its first appearance to designate the region, which is enjoying increasing popularity. Previously, the Provençal climate was deemed too hot, unpleasant, even bad for the digestion!
But things are changing as the century comes to an end: the region (like Italy’s shores) is becoming a holiday destination for the wealthiest.
The impressionists also make their way there and play a key role in this transformation. By painting the beauty of the Mediterranean’s landscapes and blue skies, they help make this climate more appealing.
By the way, scientists officially define the term “Mediterranean climate” in 1929, reflecting the growing interest in the region!
The impressionist artists participate in the Côte d’Azur’s rise in popularity and positive perception of its “Mediterranean climate”.
The impressionists paint winter with an eye for realism… so much so that you could use their canvases as archives of past weather conditions.
Look at this painting by Guillaumin, produced during the glacial winter of 1879-1880. The newspapers of the day speak of the Seine in the grip of the ice and snow that cover its quays. All of which can be found in the impressionists’ paintings!
Take care, though, as these works also reflect the artists’ sensibilities. They don’t always include all aspects of winter, such as the rain, the cold fog, or such dramatic consequences as the sufferings of the poorest citizens. Impressionist winters can sometimes seem idealised, omitting the season’s harshest realities.
Although the impressionists depict winter landscapes accurately, they leave out certain aspects, the most dramatic in particular.
Among the seasons the impressionists hold dear, one stands out in particular: winter! It has to be said that it faces the artists with a good many challenges… How do you depict light on white snow? Or make people feel cold by simply looking at a canvas?
It’s above all Claude Monet who strives to depict winter, to the point of painting outside in the snow, bundled up in three overcoats and equipped with a heater!
The impressionists, like Monet, are particularly interested in depicting winter.
The 19th century sees major revolutions in landscape painting! Previously, it was regarded as a minor genre with idealised settings. Now it’s become a playground for modern painters.
And the impressionists are no exception to the rule! By painting outdoors, they seek to capture fleeting variations of light… Suffice to say that they observe nature and the passing seasons attentively. The proof in images?
In this episode, we’re going to take a closer look at impressionist seasons and landscapes. Let’s go!
The impressionists renewed landscape painting by assigning a major role to the passing seasons.
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